Classical
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With ‘Nylon Strings Under Ordinary Conditions,’ Pennsylvania guitarist David Dellacroce explores the mysterious depths of the classical guitar, blending traditional technique, improvisation, drones and distortion into a contemplative journey beyond time and place.
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Italian pianist and composer Melissa Galosi’s ‘Candor’ transforms memories of childhood and years spent teaching into 10 tender piano compositions, balancing the joy and innocence of youth with the melancholy of moments that inevitably pass.
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A gentle soprano, walls of sound and shifting light — Me-Mer-Mo Monday at dadaLab moved between delicacy and intensity as Hexpartner and Ara Cristina Hernandez reshaped the room.
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Composer and violinist Natalia Tsupryk’s ‘Are We Alive?’ offers a collection of fragile melodies set within the devastation of Russia’s war in Ukraine, carrying the listener along a path through grief, resilience and the quiet persistence of hope.
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In Chicago’s Union Station, Lia Kohl’s ‘Music for Union Station’ turns the commotion of daily transit into a meditation on movement, impermanence, and pause.
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Anthony Garcia’s latest album, Le Rêve Américain, blends jazz and orchestral textures with themes of urbanism, spirituality, and memory. In this in-depth interview, Garcia reflects on Paris, the American Dream, Van Gogh, and his journey from big city living to small-town Texas.
